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This free jazz group featured multi-reed player Anthony Braxton and drummer Barry Altschul. Holland and Corea left to form their own group, Circle, active between 19. His live performances with the Miles Davis band continued into 1970, with a great touring band of Steven Grossman, tenor sax, Keith Jarrett, additional electric piano and organ, Jack DeJohnette, drums, Dave Holland, bass, Airto Moreira, percussion, and Miles on trumpet.

Using this style, he appeared on multiple Davis albums, including Black Beauty: Live at the Fillmore West and Miles Davis at Fillmore: Live at the Fillmore East. In live performance he often used ring modulation of the electric piano, Chick Corea, 2007 producing overtones reminiscent of Karlheinz Stockhausen. Corea experimented using electric instruments with the Davis band, mainly the Fender Rhodes electric piano. In concert, Davis' rhythm section of Corea, Dave Holland, and Jack DeJohnette combined elements of free jazz improvisation and rock music. In September 1968 Corea replaced Herbie Hancock in the piano chair in Davis' band and appeared on landmark albums such as Filles de Kilimanjaro, In a Silent Way, and Bitches Brew. His avant garde playing can be heard on his solo works of the period, his solos in live recordings under the leadership of Miles Davis, his recordings with Circle, and his playing on Joe Farrell's Song of the Wind album on CTI Records. He made another sideman appearance with Stan Getz on 1967's Sweet Rain (Verve Records).Īvant garde period From 1968 to 1971 Chick Corea had associations with avant garde players and his solo style revealed a dissonant, avant garde orientation. (Incidentally, the same tune features a drum solo by a very young Al Foster.) His first album as a leader was Tones for Joan's Bones in 1966, two years before the release of his album Now He Sings, Now He Sobs, with Roy Haynes on drums and Miroslav Vitouš on bass. This album features his composition 'Chick's Tune', a clever retooling of 'You Stepped Out of a Dream' that demonstrates the angular melodies and Latin-and-swing rhythms that characterize, in part, Corea's personal style. One of the earliest recordings of his playing is with Blue Mitchell's quintet on The Thing To Do.
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Corea started his professional career in the 1960s playing with trumpeter Blue Mitchell and Latin greats such as Herbie Mann, Willie Bobo and Mongo Santamaría. He quit after finding both disappointing, but liked the atmosphere of New York where the musical scene became the starting point for his professional career.Įarly career Chicks' first major professional gig was with Cab Calloway. He eventually decided to move to New York where he studied musical education for one month at Columbia University and six months at The Juilliard School. He enjoyed listening to Herb Pomeroy's band at the time, and had a trio which would play Horace Silver's music at a local jazz club. Given a black tuxedo by his father, he started doing gigs when in high school. Rose, a Drum & Bugle Corp based in Chelsea. He also spent several years as a performer and soloist for The Knights of St. A notable influence was concert pianist Salvatore Sullo from whom Corea started taking lessons at age eight, who introduced him to classical music, helping spark his interest in musical composition. Corea developed his piano skills by exploring music on his own. At eight Corea also took up drums, whichĬhick Corea would later influence his use of the piano as a percussion instrument. Growing up surrounded by jazz music, he was influenced at an early age by bebop stars such as Dizzy Gillespie, Charlie Parker, Bud Powell, Horace Silver, and Lester Young. Armando's father, a jazz trumpet player who had led a Dixieland band in the Boston area in the 1930s and 1940s, introduced him to the piano at the age of four. Life and career Youth Corea was born in Chelsea, Massachusetts. He is also known for promoting Scientology. Corea continued to pursue other collaborations and to explore various musical styles throughout the 1980s and 1990s. In the 1970s he formed Return to Forever. As a member of Miles Davis' band in the 1960s, he participated in the birth of the electric jazz fusion movement. Many of his compositions are considered jazz standards. Piano, keyboards, Synthesizers, organ, Vibraphone, drumsĪssociated acts Return to Forever, Five Peace Band, Chaka Khan WebsiteĪrmando Anthony 'Chick' Corea (born June 12, 1941) is an American jazz pianist, keyboardist and composer. Jazz Jazz fusion Post bop Latin jazz Classical Music References Article Sources and ContributorsĬhick Corea in 2009 Background information Birth name

Miles Davis at Fillmore: Live at the Fillmore East Live at the Blue Note (Chick Corea album) Play (Chick Corea and Bobby McFerrin album)
#Chick corea spain transcription pdf#
PDF generated at: Fri, 20:09:29 UTCĪn Evening with Herbie Hancock & Chick Corea: In Concert PDF generated using the open source mwlib toolkit.
